The local whispers about Blackphone666 were keenly amplified when 2017’s ‘Accumulation’ CD (Dotsmark) brought the project’s furious electronics assault to the wider world, heralding a project born in the ‘00s and more than capable of shouldering the weighty expectations of Japanese’s unrivalled noise and experimental history. Seeming to rise from the fringes of underground dance culture and comfortable with its millennial sensibilities, ‘Accumulation’ balanced flow and fracture, structure and deconstruction, with ease.
‘PTN.YLW HARM’ is something of a stop-gap release, perhaps more a collection of ideas than a fully-fledged full-length, and the release proper – the first side of this cassette edition – is steeped in highly paced gabber beats: flurries of hyper-charged rhythms which dominate the pieces and leave minimal space for the project’s fearsome storms of noise electronics. Those happy to merge their harsh noise with the fringes of extreme dance music may be pleased, but for those – like me – who extract nothing from that scene, this cassette’s almost garish embrace of kinesis weighs in favour of an artform of no attraction.
While cruel squeals of gory harsh noise are emitted on occasion, that lifeblood is obscured by the incessant beats which festoon the first side of the cassette. “Aspect Of Disorder” hits pause on the drum machine long enough for some sickly cries of volt surging electronics, and “Blood Stocks” dials the rhythmic elements down a notch or two as a threshing line of noise flails away in stereo left. It’s too little to properly latch on to for those wanting a further dose of what made ‘Accretion’ so good, and in my view let down by the rigidity of the beats which offer few detours or variations: once the beats hit they remain, trampling out almost all other activity.
The exception to this glut of pushy one-two is final track “In Your Area”, which slows the rampant beats down to a less fevered tempo, before infusing that gait with ashen synth swatches and hoarsely yelled vocals for a far darker and more confronting finale compared to the fast-forward dancefloor overload of the remaining tracks. After 24-odd minutes of frantic flashing of brightness, the constriction in atmosphere and immediate dimming brought about by “In Your Area” shows some lost potential to Blackphone666’s strobing pulsations.
Bonus track “Believe” isn’t for download but is exclusive to the cassette, and takes up the entire second side. The rhythm is distilled down to a snappish pulse which lurks at the edge of the mix, layers of crunchy distortion taking up the space it was denied over the pieces on the first side. The long-form piece hits an easier and more staid tone, rasping sheets of noise scuffing strongly while higher frequency bubbles float through the airborne grit and, as the piece develops, more intense lashings ignite the dormant fuel within the piece and lurch it out of its largely unthreatening course.
Every project is entitled to explore its origins and crevices. ‘PTN.YLW HARM’ tributes a world I’ve never wanted to visit, and was never going to bring me along for that ride. The moments of upstart noise obnoxiousness hint that a return to darker and more nebulous concoctions is intended, so while this cassette is destined for the shelf in favour of its predecessors, I don’t criticise the attempt – even if the outcome leaves me behind – or abandon my hopes for Blackphone666’s future plans.
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